- Intro Plus Necessary Speedlight Gear (05:16) Cliff walks you through the gear he takes with him on wedding shoots and why.
- The "Why" Behind Cliff's Lighting Methods (07:31) Cliff starts with a little lighting theory and moves to camera and speedlight settings that compensate for various lighting situations where the camera might read the scene incorrectly. He also explains that sometimes Exposure Compensation is really Flash Compensation.
- When Cliff Uses Flash (03:08) Cliff uses speedlights at very specific times during wedding shoots, and there's solid logic behind his decisions.
- Mixing Light with Ambient (03:41) Unlike some shooters, Cliff doesn't try to overpower ambient light with his speedlights just to get a good picture. He explains how he sets his speedlights to compliment ambient light.
- Assessing the Venue (06:27) Looking at ambient light, Cliff explains how he will work to make his flash contribute to the exposure without overpowering it, and mentions compensating for videographer lights too.
- Shooting the First Dance (11:06) Cliff's insights start with getting the flash off the camera, then consider using a longer lens than you might think. He moves through camera and flash settings and even insights on working with an assistant.
- Blessings & Toasts (09:05) Cliff has a great setup suggestion for toasts that might involve talking with the DJ a bit, but there's a great payoff.
- Formal Family Photos (06:10) Again with the 70-200 lens and a single off camera flash, Cliff explains his strategy for quick exposure accuracy for formals.
- Texture, Dimension and Mood (02:40) The single speedlight approach allows for fast moving versatility.
Course Time: 00 Hours 55 Minutes Your Progress: Complete
You must be a subscriber to leave a comment.