- The Penitentiary Prop (07:42) Joe McNally is going to be shooting on location inside an abandoned New Mexico State prison
- CD Cover (10:20) For this project, Joe is bringing in 3 models who are pretending to be part of a band that is shooting a group portrait
- Picking Location (07:57) Looking at background, lighting, and thinking about the type of setup
- Zero Out Camera (04:01) Check camera settings and make sure that it is ready to shoot your new location
- Lens and Light (05:54) Setting up the beauty dish on location and maintaining access to electricity
- Adjusting the Light (05:01) Adjusting boom arms, choosing reflective surfaces
- First Shots (09:58) Bringing in the models to start snapping a few photos
- Lighting Ratios and Exposures (04:39) Bouncing light sources off the floor and adding a backlight to the shot
- Changing Light Sources (09:04) Adjusting the light to give the shoot a different feel
- Evolving During the Shoot (03:32) Changing wardrobe, changing the light are some of the adjustments being made while the shoot is in progress
- Key Lighting (01:51) The versatility of the c-stand allows photographers to tailor the light hitting each their subjects
- Improvisation (01:21) Experimenting with a Kino Flo light and a long throw reflector on the set
- New Location (02:05) An outdoor shoot in New Mexico will bring a whole new set of ideas to execute and challenges to overcome
- Assessing the Gear (03:33) Joe goes through all of the gear he has brought out to this new location
- Octa Light Bank and Batteries (06:45) The Octa light source a beautiful but temperamental light source. Make sure you have plenty of battery power
- Picture Depth and Fill Lighting (02:04) Adding background elements for depth and positioning a fill light
- Battling the Light (01:43) Rushing against time to get the right light for the setup
- Laying Out Saloon Setup (04:20) Joe walks through his thinking process as he decides how he wants to shoot inside a saloon
- Playing With Light (02:13) There is a give and go with the light sources in any photo shoot
- Strip Light (02:24) This type of light is great for creating dramatic portraits
- Listen to the Location (07:53) Creating moody jailhouse portraits
- Working with Harsh Light (09:38) Using a baffle, or silk, to soften harsh light
Course Time: 01 Hours 53 Minutes Your Progress: Complete
Alan Hess
Anne Cahill
Ben Willmore
Bert Monroy
Bill Fortney
Bill Frakes
Calvin Hollywood
Corey Barker
Cliff Mautner
Colby Brown
Dan Steinhardt
Dan Margulis
Dave Black
David Cuerdon
David Ziser
Dave Cross
Douglas Sonders
Eddie Tapp
Ed Greenberg
Erik Valind
Fay Sirkis
Frank Doorhof
Guy Kawasaki
Glyn Dewis
Jack Davis
Jack Reznicki
Janine Warner
Jay Maisel
Jeff Revell
Jeremy Cowart
Jerry Ghionis
Jim DiVitale
James Schmelzer
Joe Glyda
Joel Grimes
Joe McNally
John Paul Caponigro
Josh Haftel
Julieanne Kost
Katrin Eismann
Laurie Excell
Larry Becker
Lesa Snider
Lindsay Adler
Matt Kloskowski
Mike Kubeisy
Moose Peterson
Pete Collins
Peter Hurley
RC Concepcion
Richard Riley
Richard Harrington
Rick Sammon
Scott Diussa
Shawn Welch
Shelley Giard
Scott Kelby
Syl Arena
Taz Tally
Terry White
Tamara Lackey
Tom Bol
Tony Corbell
Tim Wallace
Vincent Versace
Zack Arias
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