Working with Nikon SB-900 Flashes

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Join Joe McNally as he explores the creative possibilities of Nikon's new SB-900 flash, and teaches you how to get professional results with your photography each and every time. Learn to take full advantage of the SB-900's portability, versatility, and advanced features and settings.

  1. Introduction (10:14) Comparing the Nikon SB-800 with the new advances in the SB-900
  2. Interface (01:32) Going over the interface on the SB-900
  3. Exposure Value and Master Flash (04:07) Adjusting Exposure Value and setting the Master flash
  4. Versatility (03:39) The new SB-900 has increased functionality which creates a lot of advantages
  5. Zoom Function (03:06) Advantages of the 200mm zoom function of the SB-900
  6. Get the Job Done (06:09) The My Menu settings, Illumination settings, and the new hot shoe
  7. Simple Setup (03:37) Joe walks us through the beginnings of a simple, single flash photo shoot
  8. Improvised Diffusion (05:16) Common items can be used to soften the light being thrown from the flash
  9. Modes of Light (13:36) There are three modes of light that can be set with the SB-900
  10. Remote Flash (05:00) Bouncing a second light off of the floor onto the subject
  11. Flash Through an Umbrella (04:30) This is a one-light setup but the flash is shooting through an umbrella
  12. Light Through a Window (04:13) Simulating daylight by setting up the flash outside a window
  13. Experimenting (07:36) Using a large flag to create a reflection in the glasses of the subject
  14. New Shoot (05:03) Going through the process of setting up a new location shoot
  15. Adjusting the Light (06:08) Adjusting the exposure value and cutting part of the flash to reduce impact
  16. Changing Things Up (09:07) Moving quickly with small flashes allows photographers to be experimental with their light
  17. Two-Light Shot (03:04) Bouncing the main light off the floor to create a glamour shot
  18. Changing Lenses (01:59) Many times you have to change exposure when you change lenses
  19. Lace Shadow Pattern (06:19) Hard light source throwing through lace to create a stylistic shadow
  20. Accent Light (04:04) With the subject is lit from behind, using a flash to bring out some of the facial detail
  21. Location Shooting (07:12) Working with the surroundings and rolling with the changes as they come
  22. Racing Against the Sun (06:14) Trying to get the last shot of the day as the sun goes down on the horizon and final wrap up
Course Time: 02 Hours 01 Minutes
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  1. E. Vinokur
    the guy is a genius, but part of his genius is being able to simplify what he's doing to make it understandable for the rest of us.
  2. P. Bancroft
    Joe McNally is not only extremely knowledgeable about the topics of the courses he teaches, he presents that knowledge in a way that seems more like fun than a learning experience. I also get a kick out of the different scenarios he sets up as examples for his photography. He is anything but boring. I am not rich. I am not a professional photographer. But, I still find Joe and his equipment courses entertaining and informative. Keep the Joe lessons coming!
  3. R. Acosta
    Another brilliant course from the master, Joe McNally. Thank you Joe and Scott. I hope more are in the making!
  4. I. Johnstone
    Many thanks to Joe and his amazing team, they never fail to educate and entertain!! love you guys!
  5. R. Acosta
    Excellent course. Joe is the best!
  6. G. Christie
    G.Christie; Joe Mcnally working with SB900 under the conditions and locations in the lessons has given the old Nikon dog a lot of good treats! Joe is great at keep the lesson moving like the shoot he is doing and keeping your attention to details without getting lost. This has been very helpful to me as I am looking to buy a lighting system that work for most shooting locations. After viewing other videos outside of Kelbey training Joe's lesson's Rock! Thank you! Joe Mcnally, and Scott Kelbey too for a great place to learn new technics. G.C.

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Joe McNally

Joe McNally

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Joe McNally is an internationally acclaimed photographer whose career has spanned 30 years and included assignments in over 50 countries. He has shot cover stories for TIME, Newsweek, Fortune, New...VIEW FULL BIO»

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